How to Direct And Film Children

July 30, 2018

How to Direct and Film Children

A family is standing in front of a brick house giving a thumbs up.

30th July 2018 by CH

They say you should never work with animals or children, but filming with kids isn’t as difficult as it sounds.

Along with the compulsory performance licenses and guidelines you need to follow, here’s some extra tips to help you prepare.

Make Sure They’re Entertained

Film sets can be interesting and fun for kids to be a part of. But there’s a lot of waiting around time, whether it’s waiting for kit to be set up or just waiting for their turn on camera. It’s not unusual for your talent to be hanging around on set for a while.

To prevent frustrated and tired child actors, keep the filming time to a minimum and if they’re really young, make sure there’s a chaperone or parent with activities like colouring books and plenty of refreshments to keep everybody happy and relaxed.

Cut Back on Set Up Times

Try to avoid long filming hours. Remove unnecessary set up time. Andy Hamilton and Guy Jenkin from BBC’s Outnumbered would keep their shoots fast and flexible by using less lighting, no makeup department and other stages that are usually associated with film production.

Make sure you cover all of this during your pre-production process and have a good plan in place from the start.

Directing Children

Most video Producers and Directors will be very personable and have lots of experience working with different types of people, ages and backgrounds. And more often than not, if the child is used to being in front of the camera, they will be happy enough to take direction and want to improve their performance as much as you want them to.

Kids are pretty smart and can be quite attentive if you speak to them correctly and make sure actions are simple enough. Dialogue is a slightly different story, but if you have patience and a good attitude on set, you’ll be surprised by the outcome.

One thing we find particularly effective is to speak slowly and physically act out what you need them to do, so they can see what you want. Whether that’s a simple movement, an expression or a line of dialogue, it’s a good idea to be clear.

Our Latest Videos Featuring Children

Enough talking, time for some action. Here’s a couple of recent examples from some of the projects we’ve worked on that involved filming with children.

Make sure to follow our tips and you can enjoy a great end result, as children can bring a unique energy and emotion to every video.

Thames Water – Sibley Family Video ‘Why Pipes Freeze’

Royal Caribbean – ‘Cruise From Southampton’ Video

Still need a helping hand when it comes to filming with children? We’re only an email away .

Share this post:

Recent posts

By Emily Blanden June 3, 2026
Fast turnaround videos. What we do and what our clients do to make it work. Our Managing Director, Emily Blanden, shares what we’ve learned from creating fast-turnaround videos for our clients - without the panic stations. From getting the brief nailed down early to keeping feedback clear and speedy, Emily talks through the little things that make a big difference when deadlines are tight.  My team might not thank me for writing this. We’ve just completed two motion graphics projects on extremely tight turnarounds. A three minute video briefed in and delivered within six working days. A five minute video done in four. Sharing how we did this might result in us getting even more last minute briefs, sorry in advance to my team! Short lead time work is stressful. We’d always love more time. But over the years we’ve developed a process that makes it possible to create quality work, fast and I think it’s worth sharing, because a lot of it comes down to what both sides of the relationship do along the way.
By Madeline Moores May 12, 2026
We're #23 in the UK Top 50 Big news from us! CH Video have climbed 7 places in the EVCOM (Event & Visual Communication Association) + Moving Image UK Top 50.
By Aidan Patterson May 12, 2026
When Euronics came to us with a brief, it was a good one: take a true story about an extraordinary delivery and turn it into something worth watching. The Brief Joe, a Euronics delivery agent, had been tasked with getting a chest freezer to a customer in rural Wales. The road ran out. He carried on anyway, on foot, through fields, across rivers and over hills. The customer was delighted. The story deserved to be told. Euronics asked us to produce a short comedic video retelling that journey. The challenge was finding the right visual language to match the scale of the tale. The Concept We pitched several approaches centred on a comic-book aesthetic, bold, energetic and a little tongue-in-cheek. It felt like the right fit: a story that was equal parts heroic and absurd, told in a style that leaned into both. The concept paired real interview footage of Joe with AI-generated visuals to bring his journey to life. Where a traditional shoot would have required location days across Welsh countryside, generative AI gave us the tools to illustrate the story scene by scene. Creative Wrangling We filmed Joe against a studio blue backdrop, letting him tell the story in his own words. His delivery did a lot of the heavy lifting (puns intended!), dry, matter-of-fact and quietly brilliant. The AI-generated visuals were built around detailed multi-angle reference sheets for Joe, the Euronics van and the chest freezer.
All posts