Getting On TV: How We Produced A TV Advert

May 11, 2020

The Ask

In video production you have to account for all sorts of eventualities. It’s true that, on balance, only half of what you plan actually goes to plan. But once you’ve committed to a shoot schedule, you’re pretty much locked to it bar earthquakes and lockdowns.

Fortunately, no such crises averted our schedule back in August 2019 when we shot a video campaign to advertise EdPlace , a growing online education subscription business who provide app-based learning and revision platforms for children/students from Year One to GCSE (and 11+)..

EdPlace asked us to create video content to encourage consumers to find out more and position their brand as the smartest way to revise.

Because we’d produced video content to advertise EdPlace before, we knew the brand very well. So, this was a great opportunity to think bigger with our next video solution.

Production

A group of people posing for a picture with a clapper board

After trawling across London scouting various home locations, we ended up finding the perfect place local to us in West Berkshire. (Sometimes the answer is right on your doorstep!).

We filmed in three rooms, dressing the living room and bedroom and used the kitchen for our greenscreen set up. The greenscreen shoot also coincided with the caterers cooking up an Ottolenghi-inspired meal which seriously divided our concentration!

This was our first production using the 6k capable Sony Venice camera. We had to ensure that every pixel was carefully considered for our costume, make-up and lighting design.

The result was another successful shoot with some great footage ‘in the can’. We got everything we needed, our actors were brilliant, and our clients were delighted.

Two women are sitting on a couch laughing.

In post-production, we created bespoke motion graphics elements which went through a number of iterations to reflect the ‘buzz’ of the EdPlace product.

The final output was impressive 30-second and 10-second video adverts which hit the mark for us and for our client.

Getting Broadcast Clearance

TV ad production requires a considerably extended process with lots of hoops to jump through including getting proper clearances.

Companies such as Clearcast (and RadioCentre for radio content) require approval on scripts, rough cuts and final edits which also need to be agreed on by the broadcasters for legal content.

There are sound and vision quality checks too, including the specific ‘X-height’ and duration of superimposed information text. What’s interesting is these checks are more stringent for linear (live) TV than VOD and digital catch up services.

The next step is to conform the ad to broadcast specs, add a countdown clock and clock number, video and audio pre-roll frames and upload to an online server which then uses an algorithm to check everything again. It’s an extended process! That digital file can then be summoned by the broadcasters via the media buying agency ad positioning matrix.

The Moment It’s Live

It was with absolute glee that our first linear TV advert aired on Channel 5 at 10.35am on Tuesday 5 th May with hundreds of placements across the two-week campaign on various channels such as ITV, E4 and Sky. A 10-second cutdown version also had to go through the same clearance and approval process. (You get no dispensation just because your 30-second version was previously approved).

EdPlace themselves said: ‘We’ve seen an incredible response from the TV ad! As an unknown brand, the ad had immediate impact. Our creative challenge was to create something that had real punch, whilst being sensitive to the current situation. CH’s professionalism and quality delivered 100%; fuelling positive brand awareness and response.’
You can view the ad  here.

A television screen shows two women sitting at a table looking at a tablet.A tv screen shows a girl with a score of 94 %

Content with longevity is key for many of our clients and this project is another great example of how we can make your videos work harder for you.

It’s also the perfect project to celebrate 15 years of CH Video in operation!

How about we take you to the heady heights of TV?

Say hello@ch-video.com to get in touch.

Share this post:

Recent posts

By Gary Wales February 24, 2026
We're thrilled to announce that we won not one, or two, but THREE Lens Awards at Communicate Magazine's prestigious awards event. We won awards for best One-off Video Campaign (Bronze) and Best Lifestyle and Wellbeing (Gold) for our work with Essity , a global hygiene and health leader that trusted us to transform essential H&S by producing a fresh and memorable induction video for visitors to their historic Oakenholt Mill. Delivering key messages with humour and heart, our approach stars children from real Essity employees as the mill’s pint-sized operators. It was a silver for Best Live or Experiential Video, celebrating our cinematic event work with PepsiCo . The Away from Home team’s breakout room at an international conference contained five ultrawide 4K screens stretching nearly 30 meters. Where we delivered 20 videos and nearly 70 assets overall, blending real footage, AI generated visuals, and synchronised side-screen magic. A panoramic feel that supported our client’s event in a whole new way. Thank you to our awesome team of in-house creatives. Photographed, a delegation from CH attended the event on behalf of the whole company.
The Cost of Indecision in Video Production
February 11, 2026
Indecision can derail your video project. Discover how clarity keeps production on time, on budget and on brief.
Why Your Video Shouldn’t Try to Do Everything
By Ashleigh Clayton-Goddard January 16, 2026
If your video is trying to say everything, it might not be saying much at all. Find out why focus matters more than fitting it all in.
All posts