Working With Animals

January 10, 2020

Working With Animals

A close up of a pug dog looking at the camera.

January 10th 2020 by CH

Read time: 3 mins

https://www.ch-video.com/portfolio/ch-christmas-video-2019/

“Never work with children or animals” – William Claude Dukenfield

We’re all about making exciting, engaging and clickable content here at CH, and sometimes that can mean working to a difficult brief. Even if we come up with the idea ourselves!

Back in December 2019, we decided to enlist some of our furry friends for starring roles in our annual Christmas video (who doesn’t love to watch cute dogs mess about?)

To give the content purpose, we wanted to help raise donations and support for a local animal shelter in Berkshire ( DBARC ), so we linked through to their page as well.

Working with dogs was a first for us.

But after some initial teething problems (excuse the pun), we learnt a few things:

Food is the Director

It doesn’t matter who speaks, the person holding the treats is the one in charge. When working with dogs or generally trying to get a dog’s attention, don’t go empty handed!

Dogs Don’t Love Cameras

Most dogs have no interest in looking down the lens. This makes that cute puppy eye shot tough to achieve. But using a long lens (135mm) is the best option for getting those all-important close ups.

Just ‘Go with it’

No matter how much you plan ahead, it rarely goes to plan! We started our day with roughly three different ways to film (with no idea whether we could get any of it) and had to abandon the complex shots on the day, simply because some of our stars didn’t feel like doing a particular trick when we needed them to.

When you’re working with dogs or any animal – be flexible, have plenty of rest breaks, respect their needs and allow them to do what they do best.

As a result of our Christmas video , DBARC received over £800 in donations and the video itself has had over 15k views on their Facebook page.

In conclusion – shooting (and editing!) this video was really fun for us as a team but best of all, it was for a great cause. Win win.

Share this post:

Recent posts

By Emily Blanden June 3, 2026
Fast turnaround videos. What we do and what our clients do to make it work. Our Managing Director, Emily Blanden, shares what we’ve learned from creating fast-turnaround videos for our clients - without the panic stations. From getting the brief nailed down early to keeping feedback clear and speedy, Emily talks through the little things that make a big difference when deadlines are tight.  My team might not thank me for writing this. We’ve just completed two motion graphics projects on extremely tight turnarounds. A three minute video briefed in and delivered within six working days. A five minute video done in four. Sharing how we did this might result in us getting even more last minute briefs, sorry in advance to my team! Short lead time work is stressful. We’d always love more time. But over the years we’ve developed a process that makes it possible to create quality work, fast and I think it’s worth sharing, because a lot of it comes down to what both sides of the relationship do along the way.
By Madeline Moores May 12, 2026
We're #23 in the UK Top 50 Big news from us! CH Video have climbed 7 places in the EVCOM (Event & Visual Communication Association) + Moving Image UK Top 50.
By Aidan Patterson May 12, 2026
When Euronics came to us with a brief, it was a good one: take a true story about an extraordinary delivery and turn it into something worth watching. The Brief Joe, a Euronics delivery agent, had been tasked with getting a chest freezer to a customer in rural Wales. The road ran out. He carried on anyway, on foot, through fields, across rivers and over hills. The customer was delighted. The story deserved to be told. Euronics asked us to produce a short comedic video retelling that journey. The challenge was finding the right visual language to match the scale of the tale. The Concept We pitched several approaches centred on a comic-book aesthetic, bold, energetic and a little tongue-in-cheek. It felt like the right fit: a story that was equal parts heroic and absurd, told in a style that leaned into both. The concept paired real interview footage of Joe with AI-generated visuals to bring his journey to life. Where a traditional shoot would have required location days across Welsh countryside, generative AI gave us the tools to illustrate the story scene by scene. Creative Wrangling We filmed Joe against a studio blue backdrop, letting him tell the story in his own words. His delivery did a lot of the heavy lifting (puns intended!), dry, matter-of-fact and quietly brilliant. The AI-generated visuals were built around detailed multi-angle reference sheets for Joe, the Euronics van and the chest freezer.
All posts