Going Green On Set

January 9, 2020

Going Green On Set

A hand with green paint on it is holding a small plant.

January 10th 2020 by CH

Read time: 3 mins

 

Our 2020 New Year’s resolution? Be green.

Sustainability and going green are really important and on everybody’s minds at the moment, including ours.

So, we want to continue to reduce our carbon footprint and encourage sustainable practices within our business.
Here’s a few things that we’re proud of:

LED lights

We use LED lights because they are typically 80% more efficient than standard lights. They also emit much less heat which makes them safer and better for the environment. Plus, it’s a lot more comfortable for our talent in front of the camera!

Saving Paper

Instead of printing lots of document for shoots like risk assessments, scripts and call sheets; we try to use digital copies. Where this isn’t possible, we always recycle our paper AND shredding.

Water Bottles

We always try to bring our own water bottles on set to minimise single use plastics. So, if you’re joining us on one of our shoots, try to remember your own water bottle too!

Travelling Together

Sometimes we have to travel quite far to film great content, and when we do, we try to carshare. It’s also a great opportunity to jam to each other’s tunes. We’re also really proud to have a Tesla car in our car-park – our very own Senior Producer Gary has recently bought (and won’t stop talking about!).

It’s A Digital World
So much of our work every day involves chatting to different people (clients, crew, talent) to make things happen. To be as green as possible, a lot of us work from home which is great. But we also use technology and digital resources so we can work as efficiently and as sustainably as we can.

Even small changes can have a big impact and we want to do our part. But we’re always looking out for ways to improve our processes and do our bit for the planet.

Got any more suggestions? Give us a bell. hello@ch-video.com

Share this post:

Recent posts

By Emily Blanden June 3, 2026
Fast turnaround videos. What we do and what our clients do to make it work. Our Managing Director, Emily Blanden, shares what we’ve learned from creating fast-turnaround videos for our clients - without the panic stations. From getting the brief nailed down early to keeping feedback clear and speedy, Emily talks through the little things that make a big difference when deadlines are tight.  My team might not thank me for writing this. We’ve just completed two motion graphics projects on extremely tight turnarounds. A three minute video briefed in and delivered within six working days. A five minute video done in four. Sharing how we did this might result in us getting even more last minute briefs, sorry in advance to my team! Short lead time work is stressful. We’d always love more time. But over the years we’ve developed a process that makes it possible to create quality work, fast and I think it’s worth sharing, because a lot of it comes down to what both sides of the relationship do along the way.
By Madeline Moores May 12, 2026
We're #23 in the UK Top 50 Big news from us! CH Video have climbed 7 places in the EVCOM (Event & Visual Communication Association) + Moving Image UK Top 50.
By Aidan Patterson May 12, 2026
When Euronics came to us with a brief, it was a good one: take a true story about an extraordinary delivery and turn it into something worth watching. The Brief Joe, a Euronics delivery agent, had been tasked with getting a chest freezer to a customer in rural Wales. The road ran out. He carried on anyway, on foot, through fields, across rivers and over hills. The customer was delighted. The story deserved to be told. Euronics asked us to produce a short comedic video retelling that journey. The challenge was finding the right visual language to match the scale of the tale. The Concept We pitched several approaches centred on a comic-book aesthetic, bold, energetic and a little tongue-in-cheek. It felt like the right fit: a story that was equal parts heroic and absurd, told in a style that leaned into both. The concept paired real interview footage of Joe with AI-generated visuals to bring his journey to life. Where a traditional shoot would have required location days across Welsh countryside, generative AI gave us the tools to illustrate the story scene by scene. Creative Wrangling We filmed Joe against a studio blue backdrop, letting him tell the story in his own words. His delivery did a lot of the heavy lifting (puns intended!), dry, matter-of-fact and quietly brilliant. The AI-generated visuals were built around detailed multi-angle reference sheets for Joe, the Euronics van and the chest freezer.
All posts